Dragon Tamil movie 2025
Ashwath Marimuthu raises Pradeep Ranganathan as the savior of the middle-class youth, with a vital story at a time when unemployment, social media-driven envy, and an existential sense of disappointment have held youngsters
There’s something so crude and agreeable almost actor-director Pradeep Ranganathan that you can quickly acknowledge his make-believe as an naive Tamil middle-class youth. With Cherish Nowadays, where he coordinated himself, Pradeep made a moving impression on the zeitgeist as a recognizable boy-next-door, with all his imperfections, ticks, convictions and charm. With executive Ashwath Marimuthu’s Mythical serpent, whose story Pradeep has composed, it’s clear that the on-screen character wishes to play to his qualities. Composed with energy — and with the right sum of commercial cinema components — Mythical serpent might fair almost lift Pradeep as the ‘Tamil Jesus’ of the middle-class youth, who is torn between nearly open dreams and a stark reality prepared to hammer the entryways shut.
Pradeep shows up indeed more certain in Mythical beast than in Adore Nowadays, and it’s interesting since the character he plays is nothing like the actor-director whose story we are presently recognizable with. Ashwath paints a awful but interesting picture of his imperfect hero, D Ragavan, who mooches off his utilized companions and brazenly lies to his guardians approximately his business. When his current sweetheart Keerthi (Anupama Parameswaran) breaks up with him for his defiled, lazy presence, Ragavan impulses endeavors to choke her — this is a boy conditioned to accept that this is satisfactory behaviour.
This adolescent permits his worth to be weighed by his sentimental accomplice, conditioned that he is effective as it were in a relationship. He is an anchorless youth who takes stock of the circumstance as it were when his castles of sentiment collapse. It’s as if he accepts that his glass is continuously half purge without his sentimental accomplice; which is why his tall school smash dismissing his proposition cleared out a profound cut whereas his gold award in Computer Science and a 96% GPA implied nothing to him. When Ananya defended expressing young ladies like awful boys, he had changed his entire identity for college — getting to be Mythical serpent (DRagavaon), the quintessential Tamil cinema ‘college don’ — indeed neglectfully stopping his designing degree after being stood up to by his central, Mayilvahanan (Mysskin, who awes with an abnormally straitlaced turn).
This time, when his sweetheart Keerthi breaks up with him, Ragavan wishes to demonstrate her off-base and ended up ‘successful’ by winning a rupee more than her planned prep; once once more, he goes off track, choosing an unscrupulous way to get the work. The bet works, soaring him to a level of victory and lesson he at times envisioned. He indeed gets locked in to a sweet youthful lady, Pallavi (Kayadu Lohar).
Dragon (Tamil)
Director: Ashwath Marimuthu
Cast: Pradeep Ranganathan, Anupama Parameswaran, Mysskin, Kayadu Lohar
Runtime: 157 minutes
Storyline: A youthful man’s screwy endeavor to ended up fruitful lands him in inconvenience, undermining to devastate his relationship, business, and family
It’s simple to figure what happens following but much obliged to Ashwath, the film never ceases to lock in and astonish. The moment half, in specific, is a case of our most noticeably awful fears coming genuine, and with the stakes in hand, you are nearly at the edge of your situate holding up to see how Ragavan admissions. The screenplay hits each enthusiastic beat with a certain conviction. With sufficient comedy in the blend, the composing deftly shifts tone, without collapsing the reality at the heart of the film. Take for occasion the scene in the moment half when a character returns out of the blue; the turn is stunning, and your heart sinks envisioning being in Ragavan’s shoes, but the film doesn’t modest absent from deriding him for it. The film too keeps up its focal point on Ragavan’s imperfections, not endeavoring to legitimize them, but it too makes a case for the kinder soul housed within.
It makes a difference that the auxiliary characters are naturally set up for fundamental pay-offs — be it Mariam George as Ragavan’s father, or well known YouTubers VJ Siddhu and Harshath Khan in eminent parts to bring in the comedy remainder. In a silly arrangement, Ragavan amusingly juggles different phone calls, apparently a hat-tip to his well known phone call scene in Adore Nowadays. In truth, there are sufficient references to Pradeep and Ashwath’s past movies; in however another situation, you may nearly play ‘Kadhaippoma’ from Goodness My Kadavule in the foundation and it would fit.
The script naturally brings back thoughts already set, and it’s amazing how these callbacks aren’t done for cheap thrills but for a bigger reason: like a doctor’s counsel, or an thought around Mayilvahanam’s car window, or an ID card tossed on a detour, or Ragavan’s affection for cold coffee, or a passing poke around a understudy considering amid a college program. The moment half indeed gives a stage for a few great ancient bravery, with an imaginative battle scene that might have stuck out odd in another film; here, it is too a mandate that whereas you require to be dependable, some of the time you have to stand up for yourself and for those around you.
The film’s as it were issue comes amid one such callback when a certain lead character’s line approximately blame lands skewed. You ponder why they accept their activity was a botch; you too ponder maybe if this might be misinterpreted and engendered as a run the show for all. Beyond any doubt, Ashwath’s world of Winged serpent is so well-rounded that you ponder if this is once more what they essentially accept. However, something around the uncover shouts comfort. Once more, it appears like the film is so centered on awing you with bigger strokes, that it overlooks a few littler subtle elements. This is why another female character’s bend appears to be at the benefit of the plot, showing up and vanishing at convenience.
In the conclusion, as you take off the screens teary-eyed, you get it that Winged serpent is the sweet spot between the sensibilities of Pradeep and Ashwath. It’s a completely engaging dramedy almost a boy-next-door, and it too highlights an flawed legend who learns a thing or two almost doing the right thing. Ragavan may not be cut from the same cloth as Ashok Selvan’s Arjun Marimuthu from Goodness My Kadavule but you can see them bond over a few parallels.
Like in the case of Sivakarthikeyan’s 2022 film Don(which bears numerous likenesses with Ashwath’s film), stories like Mythical beast require to be told, at a time when unemployment, social media-driven envy, and a common sense of disappointment have held the youth. This is why a exchange between Harshath’s character and Ragavan on ‘boomer advice’ feels vital when more current eras are growingly getting to be desensitized to human feelings, and anything taking after guidance.
Ragavan’s story is a present day take, an cure, to the endless Tamil college shows with heroes broadcasting the swag with which youthful men ought to carry themselves. Inquire those who were late to figure it out what ‘gethu’ truly implies, those who wish they had a time machine to alter their college lives, and they would agree with what Ashwath talks almost in Mythical beast.
